Applied Art (N5718)

'London' shape with pyramidal finial. Commemorating the death of Princess Charlotte in 1817. Printed in black with same pattern on both sides: a square plinth bearing a female portrait and topped by ar urn inscribed 'PRINCESS CHARLOTTE', all under a weeping willow; to the left a grieving man, to the right, grieving Britannia, anchor and hourglass in foreground; to the left, a funeral cortege makes its way to a castle. Pink lustre bands on rim, on collar and above and below the print; pink leaf stems and dashes on spout, leaf flourish and dashes on handle. On cover, two different black-printed vignettes each of a large house in a park; pink lustre rim band and detailing on finial. Design does not relate to the pot and the body is whiter - cover is probably a replacement.

Applied Art (Na2462.4)

Buff-colour clay, undecorated, unglazed. Roughly circular base with relief head of Scipio Africanus copied from his tomb in Henbury. Prototype for sprig on Castle Park fountain.

Applied Art (N7947)

Thomas Pitt service. Barrel-shaped with gilt dentil; gilt-entwined band in two shades of orange; small shield on spout bears the arms of Thomas Pitt of Boconnoc, Cornwall.

Applied Art (N8411)

Circular plate. Printed decoration: in centre, the Arms of Bristol; on flange a border of rd and blue leaves on a gilt stem and the Arms of Edward III. Commemorating 'Bristol 600'. Printed inscription on back: 'The Bristol Charter Plate // 1373-1973 // With the approval of // the Lord Lieutenant and Lord High Steward // of Bristol, this [late has been created // to commemorate the six hundredth anniversary // of the granting by King Edward III of the Charter // which raised Bristol to the dignity of County. // Of six hundred plates this is number 159'. In blue presentation box with leaflet and certificate signed 'Beaufort'.

Applied Art (N8581)

for Bristol Pottery medallions of Blaise Hamlet, 1913

Applied Art (N9346.a-d)

2 letters, 1 photograph, 1 book

Applied Art (N8184)

Tall cylindrical pot, lower two-thirds tapering in to a waist, upper third of straight-sided oval section with two rectangular pierced 'wings', All-over white celadon glaze.

Applied Art (N8227)

Circular plate with eight-scalloped edge, sloped rim and deep well; four alternate rim sections have moulded flower spray with tendrils. Painted in underglaze blue with chinoiserie scene of two owls, one perched on willow tree, the other on fretwork fence all grouped on right; bridge to hollow rock with tree on left; flying insect; rocks on foreground, one looking like man in boat; all within lozenge fretwork border. On plain rim sections a narrow version of same border continued as simple line on moulded sections. Blue slightly blurred all over, well border below scene very blurred.

Applied Art (N8147)

Shaped ogee form painted in underglaze blue with chinoiseries

Applied Art (N8968)

Octagonal. Gilt dentil and scrolled lake diapers suspending lilac festoons, polychrome sprays within.

Applied Art (Na499.2)

Porcelain saucer. It is circular with a sloped flange and a wide well. It has a gilt band and line inside the rim and a gilt line within the well.

Applied Art (Na1015)

Porcelain plate. It has a white ground and is printed with blue designs and gilding. It has a scalloped edge with a blue band running round the rim edged with gilding either side of the band. There is a gilded leaf and vine design running on the blue band. Below this on the flange there are gold and blue festoons. In the centre of the plate are blue & gold Prince of Wales feathers. This is framed by a blue circular line with interweaving gilt vine leaves..

Applied Art (G2287)

Porcelian dish. The dish is plain (possibly, only have image of the back) and has a waved edge in the form of a heart. It has a raised foot rim inset from the edge of the dish. This foot rim has a gilt line on it.

Applied Art (N86)

Porcelain coffee cup. The cup is round and cylindrical and tapers in to a round, short foot rim. It has a plain handle. The cup has Japanese decorative motifs painted in red and blue glazes and gilding. The cup is divided into decorative panels divided by curving and scalloped gilt lines. In each section there are floral patterns including red flowers and blue leaves. There is a red flower in the interior of the cup, which has a gilded outline. There is a gilt line around the rim of the cup and a gilt line around the rim of the foot ring.

Applied Art (N9227)

Eight-scalloped rim Underglaze-blue-printed with paeony bouquet

Applied Art (73/140)

Oval, ribbed with moulded cartouche; polychrome flowers

Applied Art (N9225)

'Hingston': painted in u/g blue with floral sprays & 'A H / 1770'

Applied Art (Na2484)

Earthenware square tile made of red clay. The tile has a painted William de Morgan's 'Aster' design, which consists of two yellow flowers amid green strap leaves on a dark blue ground.

Applied Art (G215)

Earthenware medallion. The medallion is circular and has a raised rim painted brown to simulate a frame. In the centre it is painted with a view of Windmill Cottage, Blaise Hamlet. The cottage sits in a garden with trees, grass and bushes. There is a female figure on the right walking towards the house, she wears a bonnet and a ball dress.

Applied Art (G2283.1)

Glazed earthenware tile. The tile has a white ground and in the centre there is a painted chinoiserie figure in Fazackerly colours. The female figure holds an arrow in her left hand and a flower in her right. She has an elaborate hairstyle and wears a blue and yellow dress (blue under skirt and yellow flared top section). She stand on a grassy mound with a tree. At each corner of the tile sections of flowers have been painted in blue.

Applied Art (G2525)

Tin-glazed earthenware tile (Delft). It is painted in blue with Louis XV diaper corners consisting of floral motifs and cross-hatching. The central scene has an octagonal border and depicts a woman churning. She wears 18th Century clothing and stands within a landscape.

Applied Art (73/090)

Porcelain cream jug .The jug is baluster shaped with a wide pouring lip, it is fluted and has a scroll handle. The rim of the jug is scalloped. It is painted in coloured glazes. Just below the rim there is a red border. There are two European figures (one male and one female) painted in 18th century dress. They stand in a garden with trees and there is a building in the background.

Applied Art (Na2585)

Picnic ware. Moulded lobed flange, shallow well. Printed border design in blue: cherry blossom with four birds and two butterflies. Design apparently photographically taken/adapted from a late 19th century original and includes the glaze crazing.

Applied Art (Na2596)

'Dundee' shape: fat baluster body with everted shaped top with wide prow-form lip; long square-top handle. Moulded scrolls below rim, moulded wavy line on shoulder. Printed design of pink rose and blue anemone sprays in two sizes, with single rosebuds and small cherry-blosson sprigs. Gilt detailing on rim, shoulder and handle.

Applied Art (NX1304)

Circular bowl, upper part straight-sided, lower section slopes in to flat base. Upper section textured to appear like bark. Interior glazed beige; exterior unglazed.

Applied Art (NX1307)

Two fragments misfired and stuck together: on top, piece from centre of a dish painted in blue with a conical tree, leafy stems and an insect; on bottom, piece from centre of a plate painted with a red flower with blue and green leaves. Underrim markings to dish: II II.

Applied Art (NX1308)

Large vase of shouldered form tapering in to base, wide everted rim. Incised decoration: three lily-type flowers and flowering branches, three butterflies. Exterior covered in blue and red slips with copper lustre petals and gold lustre around neck and on rim.

Applied Art (Na682)

Red clay. Tapered, straight-sided form with moulded rim pulled out to form lip; loop handle with centre spine. Turquoise glaze inside and outside

Applied Art (Na683)

Red clay. Body swelling at waist, neck horizontally grooved, pulled-down lip; loop handle with centre spine. Blue-green glazes: light on body, dark on handle and neck, running down onto body.

Applied Art (N8672)

Earthenware Barrel. It is ribbed at the top and bottom with brown stripes on each rib. There is a protruding hole/spout towards the bottom of the barrel, the rim of which is lined with the same brown colour. The ground of the barrel is white and it has been decorated in coloured glazes, with painted designs of floral sprays around the middle and green and blue sprigs on the ends.

Applied Art (N8673)

Earthenware mug. The mug is straight sided and cylindrical. It has a white ground and a printed design. It is over painted with the scene of 'Peace of Paris'. In the centre is a stone pedestal with the words 'Peace signed at Amiens between England France Spain and Holland, March 27 1802' At the base of the pedestal 'Bristol Pottery' is printed and above the pedestal 'GR' is printed in the centre of some foliage in a reef shape. There are 2 female figures with flags either side of the pedestal, both the figures are robed. In the background there are some ships. There is a brown line around the rim of the mug and around the base.

Applied Art (N9372)

Earthenware flower pot. The pot is cylindrical and tapers out towards the rim. It has a white ground and a printed design of the 'Peace of Paris'. In the centre is a stone pedestal with the words 'Peace of Europe Signed at Paris May 30, 1814'. Above the pedestal 'GR' is printed in the centre of some foliage in a reef shape. There are 2 female figures with flags either side of the pedestal, both the figures are robed. On the right side it is the British flag and the female figure holds roses. It is likely the left figure depicts France and holds an Iris. In the background there are some industrial buildings. There is a brown line around the rim of the pot, around the base and around two circles on the either side of the pot (handles?).

Applied Art (G235)

Earthenware coffee cup. The cup is straight-sided and cylindrical with an upright loop handle with a thumbpiece. It has a sponged green ground reserving two rectangles outlined in puce. Each reserve is crudely painted with a flower spray and sprig in between. It has a dark puce rim, a line inside the rim and detailing on the handle.

Applied Art (G340)

Earthenware coffee cup. The cup is straight-sided and cylindrical with an upright loop handle with a thumbpiece. It is hand-painted with two different flower sprays in red, pink, yellow, green, blue and purple. It has a dark puce rim, a line inside the rim and line above the base. There is detailing on the handle.

Applied Art (G200.1)

Tin-glazed earthenware tile (Delft). It is painted in blue with Louis XV diaper corners consisting of floral motifs and cross-hatching. The central scene is in octagonal and depicts a body of water with two swans in the foreground and two sailing boats in the background. There is a building on the right side and a tower behind.

Applied Art (G200.2)

Tin-glazed earthenware tile (Delft). It is painted in blue with Louis XV diaper corners consisting of floral motifs and cross-hatching. The central scene is in octagonal and depicts a man fishing in a landscape. His back is to us and he wears a hat. There are flowers and tufts of clouds. There are simplified building outlines in the background.

Applied Art (G200.3)

Tin-glazed earthenware tile (Delft). It is painted in blue with Louis XV diaper corners consisting of floral motifs and cross-hatching. The central scene is in octagonal and depicts two men. One is walking down a dock and holds a basket. The other is in a small boat and appears to be loading or unloading something. There is a possible third male figure. There is a stone house in the background to the left and to the first there is a sailing ship in the distance.

Applied Art (G200.4)

Tin-glazed earthenware tile (Delft). It is painted in blue with Louis XV diaper corners consisting of floral motifs and cross-hatching. The central scene is in octagonal and depicts a man fishing within a landscape. He has his back turned to us, wears a hat and sits by a tree stump with some foliage.

Applied Art (G2188)

Tin-glazed earthenware tile (Delft) It is painted in blue and depicts a coach being drawn by 2 horses. Within the coach there is a driver with whip and a lady and gentleman in the back. They are within a landscape with foliage. The scene has an octagonal dash border and there are flower petals at each corner.

Applied Art (Na697)

Earthenware oblong advertising tile with irregularly notched edges and two suspension holes. It has a black lustre glaze and green slipped leafy twigs. There is an inscription: 'HAND THROWN.POTTERY // .MADE BY. // FISHLEY HOLLAND // .CLEVEDON.'.