81 to 120 of 11877
Applied Art (Na229)
Decorative mouldings in original packaging. Two hust pendants. Intended for application to whitewood furniture, etc. to be painted to simulate Georgian originals.
Applied Art (Na2424)
Oval-section, curving in to slightly dished top; salt pierced with single central hole, pepper with ring of 8 holes; hollow pull-out base with central division that acts as a grip. Main body mid-blue, base dark grey.
Applied Art (Na505)
Pink plastic with clear handle. In form of a tunnel with six slots cut across it; disc handle, cut off at base to fit central strut.
Applied Art (Na239)
Brown Bakelite. Cylindrical with octagonal top and domed clear lens. Sliding metal on/off switch. No bulb or battery
Applied Art (Na484)
Dark brownplastic; unscrews into 2 parts. Inside, a yellow-handled latched darning hook.
Applied Art (Na485)
Cream cotton. Horse-shoe shaped collar with rounded ends, machine-made. Diamond mesh twisted with meandering pattern of five petalled flowers enclosing alternately open-work fillings and scattered five-petalled flowers; denser, diamond mesh border. Trolly-threads machine worked , ends of net cut outside border, showing machine origin. Mounted on pale green tissue paper
Applied Art (N9385.1,2)
Pale green plastic cup and saucer, interior of cup white; pointed loop handle. Shallow oval saucer with well.
Applied Art (Na2529)
Pale green plastic. Spoon with pointed bowl, moulded stem terminating in cloaked figure.
Applied Art (T4020)
Marking sampler. Red and white cotton thread on white cotton, all four edges scalloped and buttonhole-stitched. Satin, stem stitches. Five rows of lettering: 'A-Z (italic script, no J Q X Y) A-Z (gothic script, no J Q X Y) 1-9 0'; across the bottom, monograms 'SLT' 'IGC' in corners, 'RD' crowned in centre between coronets.
Applied Art (Na1152)
Applied Art (N8174)
Oval-section body on oval pedestal foot; two high-loop handles. Cover has flat edge rising to dome in centre; urn finial with foliate top. Reeded rim with three cross ties on each side, above rouletted line and border of gouged diagonal ovals each suspending a four-dot drop; row of beading around foot. Upper terminals of handles of leaf-form, upper part reeded, with two inside and one outside kicks. Rouletted & gouged border around edge of cover; scalloped rouletted line around base of finial. Engraved stag's head armorial on body and cover.
Applied Art (N8370)
Rectangular plaque: central female head in chrysoprase facing right, with gold hair swirling to form the tracery of plaque. Five jade flower heads, the petals set with diamonds. On each side, fourteen graduated strings of pearls (six in top row, twenty in bottom) link plaque to vertical thin gold bars which were fastened to ribbon.
Applied Art (N5682.1)
Porcelain teapot, cover and stand. The teapot is ogee shaped, it has moulded spiral ribbing above the base and at the base of the spout. There are moulded scrolls at the base of the neck; it has a moulded indented loop handle secured by mock 'rivets' and an 'S' spout both with acanthus leafs at the top. It has an ogee-domed cover with moulded scrolls on the flat edge and spiral ribbing around the modelled flower knop with 3 leaves. The base of the spout is pierced with an uneven 6-hole circle around the centre hole. The stand is deep and has concave sides with a scrolled edge and has spiral ribbing forming the boundary of the centre well. It is painted in overglaze polychrome enamels with flower sprigs: there are three similar sprigs and three leaves on each side of the teapot; three sprigs & three leaves on the cover; three large and three small sprigs and six leaves inside the sides of the stand, a rose & 3 leaves in the well and the knop is edged in puce. It has a gilt rim on the stand & cover. On the teapot there is a gilt line below the neck & above the foot, it has a gilt spout rim and gilt leaf and dot detailing on the spout & handle. The painting on stand is in a different style to that on pot & cover; so may not belong to the teapot.
Applied Art (G1554)
Bulbous body on a flat base raised on four scrolled feet; flared neck, an engaged spout and two corkscrew loops on each side (through which a cord handle would have once have been fixed). Painted in blue on a white glaze. Each side of the spout has a chrysanthemum-type-flower spray, two similar on the back of the neck. On the back of the body, three flowers made up of petals joining two circles; smaller versions of the same on the front of the neck and between the handle scrolls; circles of dots; blue dashes on the handle and feet scrolls and blue scrolls between lines of dots on the spout. No cover.
Applied Art (N4815)
Earthenware milk jug. It is baluster shaped at flares at the top into the shaped rim; it has an entwined moulded handle with flower-and-leaf terminals. It is painted in onglaze enamels - red, purple green and black and below the lip is a large flower spray with purple rose, between two 2-flowered sprigs and two single purple sprigs. The handle terminals are detailed in green and purple.
Applied Art (N4483)
Green-dipped jasperware urn with a foot and cover. It has an ormolu rim, handles, stem, base and pineapple finial. It has applied white motifs on the body and scrolling band below the shoulder. It has vine festoons suspended from white-edged lilac ovals with white reliefs; there are plain stiff leaves around the base of the urn and laurel leaves/berries on the foot. There are metal mounts including a dentated rim; two mask handles with a scrolling surround, a berry pendant; a fluted stem with laurel edge and a circle of beading around the foot.
Applied Art (G2027)
Baluster-shape on an everted foot; handle of flat oval section, the tail flattened and curled up. Painted in blue on a pale bluish glaze: chrysanthemums and other flowers growing from a hollow rock, a bird perched on a branch. Below the rim, a border of double-diaper trellis with scrolls and stylised floral pendants. Band of 3-petalled flowers/leaves down the handle. Inscribed in blue script under base: ' - Millison Henry - // - 1752 - '
Applied Art (NG272)
Stoneware plate. It is shallow and has a fawn glaze and a dark brown oxide brush decoration of 2 geese. Hammond's characteristically sensitive drawing conveys a remarkable depth of space.
Applied Art (N7204)
Porcelain coffee cup. It is a quatrefoil-lobed cup and has a beaded double-scroll handle with a scroll thumb piece. It is painted in onglaze coloured enamels of blue yellow and red and depicts a large flower spray and eight small sprigs.The border is of puce scrolls below the inside of the rim.
Applied Art (N7153)
Tin-glazed earthenware stand. It has a circular top with slightly a upturned edge and is raised on a pedestal foot with a rounded edge. It is painted in blue trek with two shades of blue wash on a pale blue glaze. There is a painted image of two Chinese ladies seated on rocks in a landscape with buildings in the background. There are three double trefoils under the top and pendant stiff leaves on the stem. There are three leafy sprays between the double circles on the foot.
Applied Art (N7082)
Minature glass vessels including 2 candlesticks with opaque-twist stems and blue cups; 5 goblets with blue bowls and clear stems; 3 goblets with clear bowls, twisted stems and blue feet; 2 blue decanters and 1 blue jug.
Applied Art (N6971)
Porcelain jug. It is baluster shaped and is on a foot rim. It has a mask-head lip and stap handle with central channel. The jug has a gilt dentil rim above the broad gilt band between two gilt lines and a green husk line from which there are two gilt ovals containing puce camaieu classical heads on a pale green ground and a gilt circle surrounding a husk wreath which encircles the upper handle terminal. There is another gilt surround around thw lower half of the lip which contains the initials and date 'J B // 1773'. From these gilt circles are suspended flower festoons that alternate in long and short. There are three flower sprays and leaf sprigs on the lower part of the body; a gilt leaf meander above the foot-rim; a broad gilt band between two gilt lines on the foot-rim and two gilt bands and edge lines on the handle. The lip is in the form of an old bearded man naturalistically painted.
Applied Art (N6914)
Tin-glazed earthenware bowl. It has sloping sides rounding under to a foot ring. It is painted in blue on a pale bluish glaze. On the interior there is a tree with sponged foliage in a landscape with a fence, three flights of birds; inside the rim are four sponged areas and four sets of intersecting arches. The exterior depicts a man with a stick in a landscape, there are buildings in the left background and a larger version of the same buildings as well as trees.
Applied Art (N6815)
Tin-glazed earthenware bowl. It has deep sloping sides rounding under to a foot ring. It is painted in blue, red, green on an off-white glaze. Outside there is a border of seven blue pointed lappets reserving red-edged scrolls and alternating with flower pendants. There are four meandering stylised flower sprays and around the base are single flowers alternating with erect variations on pendants. There are triple lines and a cable band above the foot ring. Inside the bowl painted in blue is a grasst tuft with four linear leaves; a row of alternating circles with dashes in the centre and four-stroke crosses.
Applied Art (N6783)
Tin-glazed earthenware bowl. It has sloping sides rounding under to short foot ring and an inverted rim. It is painted in blue, red and green on an off-white glaze. Inside the bowl is a painted bird on a fence, a flowering branch with conical leaves springing from a mound, all within 3 blue lines and a band of green pointed brush strokes. It has a border of buds with blue and green leaves and blue scrolls. Outside there are markings: ' o II o II o II '
Applied Art (N6782.A)
Tin-glazed earthenware bowl. It has sides rounded in to a foot ring. It is painted in blue on a pale bluish glaze and yellow rim edge. The exterior depicts a chinoiserie fence and rocks with chrysanthemums and other flowers and a separate secondary flower spray. Inside the bowl are the painted words:' Long live // King George // the 3d. ' within a chevron surround and a narrow chevron border with flower motifs inside the rim.
Applied Art (N4953.1)
Porcelain teapot and cover. It is a squared octagonal form with sloping shoulders and shaped to a stand-up rim. It has a curving spout and a squared off handle with a double dip on top. It has a moulded flower and scrolls and bows on the sides. It has a domed cover with a rose knop. It is painted in onglaze coloured enamels and gilding with a rose and bluebell on the front, tulip and bluebell on reverse, auriculas inside the handle, pink flowers around the spout; a single rose, a tulip, a bluebell and poppy on the shoulder and a rose, auriculas, a bluebell and poppy on the cover. It has gilt detailing around the rims and shoulder, a line on the foot and rich gilding on the spout, handle and knop. It has a 14-hole strainer.
Applied Art (Na1957)
Applied Art (Na2332)
Flat, spade-shaped blade curving up to handle; border of diagonal ovals withing rouletted lines, inner rouletted wavy line; centre stalk with line foliage; beaded edge to handle, oval cartouche surrounded by scrolls at end; handle decoration repeated on underside with acanthus-type motif at join with blade.
Applied Art (N7999.2)
Candlestick with removable branches. Shaped square base with scroll edges, shell in centre of each side, mask-heads representing Seasons at corners; raised platform in centre with circular plinth from which rises knopped shaft; linked circles on bottom knop, faceted centre knop, sloped shoulders below socket with acanthus and mask-heads; octagonal socket with cushion base, raised rosettes, interlaced scrolls, moulded rim. Two-arm branch fits into socket: from scrolled centre, two branches scroll up and round finial curving up to octagonal sockets decorated as centre one, with petal drip-pans, alternate petals matted. The branches sheathed in scrolling leaves and flower. Swirled finial in centre with leaf scrolls, shell, flowers. Engraved crest on base: quartered lozenge in leaf-scroll mantling.
Applied Art (N8044)
Unfinished. Die-stamped teaspoon outline: oval bowl, fluted stem with acanthus terminal supporting circular reserve with relief of golfer and legend: 'KIRKHILL // GOLF CLUB '. Rough edges, unfinished surface.
Applied Art (Na2050.2)
Porcleain dish-form saucer. It is painted in onglaze browns and gilding with Chamberlain's pattern no 432 consisting of two gilt lines enclosing a border of acorns and oak leaves in two shades of brown about a gilt stem with smaller gilt leaves. It has a gilt circle in the centre.
Applied Art (Na1857)
Bowl shape with wide horizontal rim turning up at edge. ' HOMEMAKER ' pattern. Printed in black with contemporary furniture etc: table lamp, flowerpot stand, pepper mill & bottle opener & corkscrew, armchair, all in irregular reserves on ground of irregular horizontal lines.
Applied Art (Na1894)
Plain-weave fabric; design reversed out in white on a black ground: 'Nautilus': vertical rows of alternating small and large 'atomic'-type motifs with 'stringed' fan shapes; the rows separated by bands of four lines with circular, rectangular and zig-zag motifs.
Applied Art (NX531)
Bristol Orphanage sampler. Red cotton on white cotton, the sides hemmed, top and bottom edges turned under twice and backstitched. Cross, four-sided stitches. Seventeen rows of lettering: 'A-Z' eleven times in different scripts; 'a-z' nine times; '1-9 0' seven times; 'I-X I-XCDM'; 'AF MJ'; line of rosettes with Bible in centre; six rows containing eighteen continous patterns; six rows of patterns each side of signature; across bottom, a row of spandrels; small motifs: flower vases, dogs, bird, crowns. Signed and dated at bottom centre.
81 to 120 of 11877
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