Applied Art (N9295)

Khaki and gold metallic thread woven braid Flower and leaf design Similar to N9294

Applied Art (N9296)

Machine-made lace: black and gold leaf meander; scalloped bottom edge. Exhibition label: Levers machine-made lace,showing its characteristic 'warp and weft' effect.

Applied Art (N9297)

Gold metallic thread and black machine lace

Applied Art (N9298)

Machine-made lace: gold-edged flowers etc on black net ground

Applied Art (N9299)

Woven artificial silk textured surface horizontal stirpes of burgundy, grey and gold

Applied Art (N9300)

braid of silver thread, twisted scalloped ribbon

Applied Art (73/089)

Bowl. fluted with wavy edge; polychrome flowers inside & outside

Applied Art (73/138)

Oval, fluted with moulded scroll cartouches; polychrome crane, flowers

Applied Art (N9325)

'The Hunting of the Unicorn': 12 medieval huntsmen gathered around a fountain; unicorn on its knees in foreground; lion, cat, otter, porcupine, deer across bottom of picture; dogs; castle in top left corner. Monogram 'A B' entwined with ribbon, worked in metallic thread in top left corner. Scrolled gilt frame. Exhibition label: Silk and wool with some metal thread; details painted in watercolour. The design was copied from a mediaeval tapestry.

Applied Art (N9326)

'Adam & Eve in the Garden of Eden': Adam & Eve stand either side of tree, she with long ginger hair, offers Adam an apple, he wears belt of leaves. In tree, a monkey, two squirrels and a peacock; anti-clockwise around tree, a dove, turkey, robin, bird, ?deer, parrot, butterfly, lion, 2 rabbits, snake, ??, bird, ?ostrich, porcupine, 2 ?cats, flamingo, blue butterfly, giraffe, 3 doves. Grassy ground, rest of picture filled with flowers. Worked in long stitch on cream ribbed ground. Apples and flesh coloured in watercolour. Black and gilt frame. Exhibition label: 'Adam and Eve in the Garden of Eden' c.1925. Silk and wool. Janet ELizabeth Fry was born in London. She married her cousin Roderick Fry, Chairman of Messrs J.S. Fry & Sons Ltd., and they lived for many years at thePriory, Abbots Leigh, just outside Bristol. Mrs Fry was a prolific needle-woman. At the age of 55 she began working embroideries for the Church and in 20 years produced over 200 items.

Applied Art (N9327)

'The Lilies of Tower House': white lilies worked in white, clear and grey glass beads on maroon wool ground. Carved and pierced gilt frame. Exhibition label: Worked in wool and silk in cross stitch with glass beads. The picture was embroidered by Matilda Penrose Fry, wife of Francis Fry of Tower House, Cotham, Bristol and was bequeathed to the Art Gallery in 1979 by her great, great-grandaughter, Mrs. Elizabeth Lee

Applied Art (N9328)

Coloured silks on linen, edges turned under and glued; mounted on card. Cable, Roumanian, crested chain, herringbone, feather, fishbone, stem, satin, buttonhole, chain, square chain, detached chain, back, fly stitches, bullions. Line border; eleven rows of stitching across top; flower basket, butterfly, dragonfly in centre surrounded at top and sides by triangles of various filling stitches; across bottom, three appliqued white leaves with scrolling stems.

Applied Art (N9329)

Circular tip-up top on pedestal base with three scroll brackets

Applied Art (N9331)

Sepia photograph. Red Lodge, garden front and part of garden; washing on line to left of house, two Reform School girls in garden, others at door.

Applied Art (N9332)

Sepia photograph. Red Lodge, Great Oak Room: chimneypiece with two pierced-splat chairs.

Applied Art (N9333)

Sepia photograph. Red Lodge, Reception Room: fireplace wall.

Applied Art (N9334)

Sepia photograph. Red Lodge, Staircase with sedan chair and suit of armour. Printed inscription on back: 'The Red Lodge - The Staircase.'

Applied Art (N9335)

Sepia photograph. Red Lodge, Great Oak Room: door into Small Oak Room. Printed inscription on back: 'The Red Lodge - Carved Door in Greater Oak // Room.'

Applied Art (N9336)

Sepia photograph. Red Lodge, Bedroom: corner with oak bureau on right and carved table in foreground. Printed inscription on back: 'The Red Lodge - The Lesser Oak Room.'

Applied Art (N9337)

Sepia. Red Lodge, garden front. Printed inscription on back: 'THE RED LODGE, BRISTOL. // As seen from the Garden.' Annotated on back in pencil: 'Front of the house from garden. // Built on the Carmelite Friary.'

Applied Art (N9338)

Sepia. Red Lodge, Reception Room. Printed inscription on back: 'THE RED LODGE, BRISTOL. // Reception Room.' Annotated on back in pencil: 'My schoolroom.'

Applied Art (N9339)

Sepia. Red Lodge, Parlour, furnished as 'Veterans' Room'. Printed inscription on back: 'THE RED LODGE, BRISTOL. // Crimea and Indian Mutiny Veterans Association Room.' Annotated on back in pencil: 'originally the girls' dining-room.'

Applied Art (N9340)

Sepia. Red Lodge, Staircase, carpeted and with suit-of-armour, sedan chair etc. Printed inscription on back: 'THE RED LODGE, BRISTOL. // Jacobean Staircase.' Annotated on back in pencil: 'The beautiful staircase at // the bottom of the vestibule.'+

Applied Art (N9341)

Sepia. Red Lodge, Great Oak Room. Printed inscription on back: 'THE RED LODGE, BRISTOL. // The Great Oak Room.'

Applied Art (N9342)

Sepia. Red Lodge, the Wigwam. Printed inscription on back: 'THE RED LODGE, BRISTOL. // The Wigwam: the Clubroom of the Bristol Savages (North End).' Annotated on back in pencil: 'Built in the garden where // the girls' shed for drill was.'

Applied Art (N9362)

oval tray with wood base and pierced gallery; teapot, milk jug, sugar bowl all gadrooned

Applied Art (N9363)

in form of a book; engraved 'EAE'

Applied Art (N9364)

engraved foliate ornament & monogram

Applied Art (N9365)

Crepe fabric. Cream ground printed with green, pink and grey flower and leaf pattern

Applied Art (N9366)

knitted jersey with banded abstract patterns in bright orange, red and brown From jerkin and scarf of donor

Applied Art (N8123)

vertical section of linenfold panelling: 6 panels

Applied Art (N9373)

plank construction, front carved to simulate frame-and-panel construction: quatrefoils, lunettes on top rail, scallops on bottom

Applied Art (N9389)

Coarse linen blouse with one long sleeve and gathered cuff and one sleeve removed Cuff has two metal hook and eye fastenings Bottom edge is raw unhemmed (top half of a dress?) Heavy embroidery on sleeve with two bands of embroidered flowers on each shoulder Round neck with V opening, embroidered flowers and leaves around opening, heavily embroidered flower motifs along whole edge of sleeve and around cuff, interspersed with silver spangles and glass beads Romanian

Applied Art (N9390)

Linen blouse with long sleeves, open cuffs gathered around neck and shoulders with drawstring, v opening at the front, edged in black cotton Two verticle bands of embroidered circles on front and back in black, red, yellow, pink and peach Sleeves heavily embroidered with yellow zig-zag band running around top quarter of sleeve. Above this band is a band of green beads Circular motifs in black, red, yellow, pink and peach cotton, embellished with green, blue and clear glass beads interspersed with silver spangles Romanian

Applied Art (N9391)

Linen, with side opening. Embroidered with repeat flower motif worked in black, red, blue, green and yellow Reverse embroidered with three vertical bands of stylised flower motif Romanian

Applied Art (N9395)

Square of linen with four flower motif in centre and at each corner worked in red, cream, blue and grey Edged with red and black embroidery thread Romanian

Applied Art (N9396)

Piece of woven fabric. Geometric design worked in blue, cream, red, black and yellow Two edges bordered in green with brown cotton fringe Kilim-woven, Tekke-type pattern Formerly made up into cushion cover

Applied Art (N9402)

Springy brown plastic (? bois durci) formed into an oval band, wide at centre front, narrowing to ends, with scalloped edges. Applied motif at centre front: female head-&-shoulders profile, hair tied into a bun with ringlet.

Applied Art (N9403)

two ducks hiking

Applied Art (N9421)

Cream silk with chain stitch embroidery border and secondary border Two corners have cotton bobbin lace insertion