Applied Art (Na570)

gold metal thread border. Attached to piece of tissue lined card with seven other metal thread borders

Applied Art (Na571)

Woven strip weft is gold metal thread, warp graduates from dark green to white, creating triangle pattern On tissue covered card with eight other ribbons

Applied Art (Na572)

Black woven ribbon with columns consisting of two red triangles above six gold thread stitches On tissue covered card with eight other ribbons

Applied Art (Na573)

Two bands of red woven tape bound by orange embroidery thread joined together by gold metal thread On tissue covered card with eight other ribbons

Applied Art (Na574)

Two woven bands with weft of gold metal thread looped along both edges. Pattern of interlocking circles, one ribbon in cream and gold, the other in brown and cream. Piece of torn card attached to right ends On tissue covered card with eight other ribbons

Applied Art (Na575)

Green woven ribbon with columns consisting of two brwon triangles above six silver thread stitches On tissue covered card with eight other ribbons

Applied Art (Na576)

Brown woven ribbon with columns consisting of two blue triangles above six gold thread stitches On tissue covered card with eight other ribbons

Applied Art (Na578)

Two bands of green woven tape bound by cream embroidery thread joined together by gold metal thread On tissue covered card with eight other ribbons

Applied Art (Na579)

Five flat cords joined togther by gold metal thread on black embroidery silk. Cords are green and light green alternately On tissue covered card with eight other ribbons

Applied Art (Na580)

Purple woven ribbon with columns consisting of a circle above six gold thread stitches On tissue covered card with six other ribbons

Applied Art (Na581)

Gold woven ribbon with columns consisting of a drak blue circle above six silver thread stitches On tissue covered card with six other ribbons

Applied Art (Na582)

Cream muslin insertion with geometric pattern worked in pink, royal blue, lilac and lime green embroidery thread On tissue covered card with six other ribbons

Applied Art (Na583)

Cream muslin insertion with geometric pattern worked in pink, blue, green and plae orange embroidery thread On tissue covered card with six other ribbons

Applied Art (Na584)

Green woven fabric with scalloped edge bound with gold metallic thread, abstract embroidered motif worked in vdark green, purple, gold, and gold metallic thread On tissue covered card with six other ribbons

Applied Art (Na585)

Red muslin with repeat motif of circles worked in gold metallic thread. Six circles in all On tissue covered card with six other ribbons

Applied Art (Na586)

Embroidered stylised flower and leaf motif in red, purple, bue, grey and green and gold metal thread On tissue covered board with six other ribbons

Applied Art (Na614)

Painted onto clear glass. A saint (?St Francis or St Bernardin of Siena) contemplating the sacred monogram before a crucifix; grisaille, monogram on orange.

Applied Art (Na617)

Picture foiled and painted on glass: black ground; female figure in pink 'crinoline' dress and hat and holding bunch of flowers, stands at top of paved steps, gazing at flowers growing alongside. In modern pale wood frame.

Applied Art (Na618)

Picture foiled and painted on glass: black ground; female figure in lilac 'crinoline' dress and hat on a swing hanging from a tree above a crazy-paved path; foxgloves on left. In modern pale wood frame.

Applied Art (Na620)

rope-twist back rail, sabre legs

Applied Art (Na621)

rope-twist back rail, sabre legs

Applied Art (Na1228)

Applied Art (N8012.1)

Ruby glass. Long-necked shaft-and-globe type decanter with frilled mouth; clear stopper

Applied Art (NX648.3)

Opaque white glass with transparent white trailing to simulate fur; trailed black ears; red glass collar, black-painted features. A spaniel, seated, looking ahead.

Applied Art (Na745)

gold, mauve, green embroidery on cream damask; yellow fringe. backed with yellow fabric

Applied Art (Na746)

gold and coloured embroidery on green damask; multi-coloured fringe, Beds lace around back of neck Lined with yellow silk

Applied Art (Na747)

gold, yellow and blue embroidery on maroon grosgrain; yellow fringe, lace. backed with yellow silk.

Applied Art (Na748)

gold, pink, green embroidery on maroon grosgrain; maroon fringe, torchon lace

Applied Art (Na751)

Sampler, plain sewing. White cotton in 3 main sections; frill, cuff, button Exhibition label: Worked by Gertrude Emily Cook (daughter of Sir Ernest Henry Cook, Lord Mayor of Bristol in 1921) while at Domestic Science College in Bristol, 1901-1904. From the mid-nineteenth century plain sewing was considered an essential accomplishment for young girls, particularly those who were intending to go into service or to become teachers. As part of their training they had to work a series of samplers demonstrating techniques such as patching, darning, seaming, hemming, binding, gathering, tucking, piping, marking, making buttonholes and loops and openings.

Applied Art (Na752)

Sampler, plain sewing. Cream flannel with cotton cuff, button, binding, patch.

Applied Art (Na754.b)

Sampler, blue cotton on canvas. 15 rows of embroidery and 3 lettering Top and bottom edges balnket stitched, right edge selvedge Exhibition label: Worked by Gertrude Emily Cook (daughter of Sir Ernest Henry Cook, Lord Mayor of Bristol in 1921) while at Domestic Science College in Bristol, 1901-1904. From the mid-nineteenth century plain sewing was considered an essential accomplishment for young girls, particularly those who were intending to go into service or to become teachers. As part of their training they had to work a series of samplers demonstrating techniques such as patching, darning, seaming, hemming, binding, gathering, tucking, piping, marking, making buttonholes and loops and openings.

Applied Art (Na754.a)

Sampler, plain sewing. blue and red on cotton convas. Eight blocks of darning Exhibition label: Worked by Gertrude Emily Cook (daughter of Sir Ernest Henry Cook, Lord Mayor of Bristol in 1921) while at Domestic Science College in Bristol, 1901-1904. From the mid-nineteenth century plain sewing was considered an essential accomplishment for young girls, particularly those who were intending to go into service or to become teachers. As part of their training they had to work a series of samplers demonstrating techniques such as patching, darning, seaming, hemming, binding, gathering, tucking, piping, marking, making buttonholes and loops and openings.

Applied Art (Na755.a)

Sampler, plain sewing. White stocking stitch. Edges bound with paper: darn, reinforcement, grafting

Applied Art (Na755.b)

Sampler, plain sewing. White stocking stitch. In the round - 2 darns, reinforcement, grafting

Applied Art (Na756)

Smocking. Brown cotton, worked in green and yellow. Exhibition label: Worked by Gertrude Emily Cook (daughter of Sir Ernest Henry Cook, Lord Mayor of Bristol in 1921) while at Domestic Science College in Bristol, 1901-1904. From the mid-nineteenth century plain sewing was considered an essential accomplishment for young girls, particularly those who were intending to go into service or to become teachers. As part of their training they had to work a series of samplers demonstrating techniques such as patching, darning, seaming, hemming, binding, gathering, tucking, piping, marking, making buttonholes and loops and openings.

Applied Art (Na923.1)

Copper, interior tinned.

Applied Art (Na923.2)

Copper, interior tinned.

Applied Art (Na923.3)

Copper, interior tinned.

Applied Art (Na923.4)

Copper, interior tinned.

Applied Art (Na923.5)

Copper, interior tinned.