Applied Art (NX1164)

Inverted baluster body on spreading foot; wide short cylindrical neck with forward-reaching moulded lip; plain loop handle. Neck and lip painted with splodged pink/purple lustre, lustre squiggles between prints, line on handle and around foot. Three black transfer prints, overpainted in coloured enamels: on one side ' AN EAST VIEW of the NEW BRIDGE, SUNDIRLAND '; opposite, a trophy comprising Union Jack & French flags, cannon barrels, an [?]eagle, lion and laurel wreath with scrolled cartouche inscribed ' CRIMEA ' and mottos [above] ' MAY THEY EVER BE UNITED ', [below] ' VIVE L'EMPEREUR ', ' GOD SAVE THE QUEEN . '; below lip, oval flower frame with sailing ship at top surrounds legend, ' No 3663, // Presented to Sergt. Wm White // 53rd Regt. by his Brother // Henry on leaving the Regt // January 12th 1864. '

Applied Art (N47)

Shouldered body with short wide neck, pointed pouring lip; pixie-ear handle. Printed in black with the arms of the Weavers' Company with mottoes 'BY OUR INDUSTRY THE NAKED ARE CLOTHED' and 'WEAVE TRUTH WITH TRUST'; on opposite side, a verse: 'Before weaving was invented Nakedness walk'd every where And the Rich was well contented The Skins of hairy Beasts to wear In the Night like dolesome Spirits They walk'd both naked & forlorn Then may we say bless'd be the day A Weaver in the World was born' Silver lustre band with resist stylised foliage on neck, silver lustre detailing on handle and lip.

Applied Art (N8446)

Creamy-white unglazed body, glazed interior. Narrow upright form with wide lip, leaf-moulded loop handle. Relief-moulded with biblical figures of Samuel and Eli: two narrow and two wide Gothic arches: in the two wider, an elderly man seated by a table on which a jug and bowls, a young boy standing by his side; in narrow arch under lip, a standing turbaned male figure.

Applied Art (G318)

Cylindrical mug with moulded bottom edge, below lathe-turning; two elaborate moulded scroll handles. Band of rouletted circles below rim, applied grape/vine-leaf band around centre between handles. Buff base, dipped lustrous dark brown.

Applied Art (N7592)

machine-made

Applied Art (N3026)

conical form inscribed Bath Arms St James' Back Bristol

Applied Art (Na608.b)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border

Applied Art (Na607.b)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border

Applied Art (Na606)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border

Applied Art (N8111)

Barrel-shaped jug with plain loop handle. Brown and green rouletted bands around top and bottom; in centre a looped trail of mottled brown & blue glaze on a tan ground.

Applied Art (N8463)

Britton shape I. Painted in blue outlines and wash on a pale bluish glaze. In centre, a boldly drawn spray of flowers and leaves. On flange, four flower sprigs alternating with a cross with a dot in each quarter.

Applied Art (G281)

Oval with sloped flange, squared footrim. Thickly potted. Printed in black and overpainted in green enamel: central flower spray in well surrounded by 4 smaller ditto, six flower sprays on flange.

Applied Art (N1307)

Applied Art (N8272)

'TMH' service

Applied Art (N1252)

Lozenge-outline body with deep cylindrical neck, pouring lip extends down depth of neck; squared handle

Applied Art (G1169.1)

Thistle bowl with cut decoration: flat fluting above fine diamonds; squared collar above plain stem bisected by annular knop, flat basal knop; plain conical foot, polished pontil mark.

Applied Art (N5655)

pedestal cup

Applied Art (Na2490.2)

Painted in black on glass: children

Applied Art (Na2490.1)

Painted in black on glass: 2 ladies in 18th-century costume at a table

Applied Art (Na2516)

Iron 'Armada'-type chest on later wooden stand.

Applied Art (Na1318)

Shallow dish with narrow, sloped flange. Painted decoration in blue: man with broad paddle in sailing boat on waves, within a double circle; various fish on border. The central scene was derived from Bristol Museum & Art Gallery's logo in 1989.

Applied Art (N5266)

blue riverscape

Applied Art (N5297)

children playing in garden

Applied Art (N9400)

Spherical pot, matt dark grey and green glaze with a broad vertical stripe, the everted rim flange glazed in brown glass which has been allowed to drip.

Applied Art (Na2489.1)

Sides curve up from base; plain loop handle, the top squared. Print in blue of a sailing ship of 'The Mathew' type.

Applied Art (Na2489.2)

Concave saucer with small centre well. Print in blue of a sailing ship of 'The Mathew' type.

Applied Art (Na2489.3)

'Mooncurve' shape. Print in blue of a sailing ship of 'The Mathew' type.

Applied Art (Na2489.4)

'Mooncurve' shape. Print in blue of a sailing ship of 'The Mathew' type.

Applied Art (Na2491)

'THE CRYSTAL PALACE.' Woven silk picture: the Crystal Palace in the background between two towers, 2 rotundas, in foreground an arcade and pond. Mostly greys and browns with yellow and red highlights. In wooden frame with original beige mount inscribed 'THE CRYSTAL PALACE'; reverse glazed over advertisement for 'STEVENGRAPH PURE SILK WOVEN PICTURES.', listing 31 titles and 29 portraits by 'THOMAS STEVENS, SOLE INVENTOR & MANUFACTURER, // STEVENGRAPH WORKS, COVENTRY.'

Applied Art (Na2553.1)

Watercolour of a Cookworthy hard-paste porcelain vase with mask head handles, modelled flower festoons and painted in blue camaieu with a tree overhanging a well. Mounted on card with label inscribed in ink: 'Porcelain Vases Bristol Manufacture// Inches High 1775//In the possession of Francis Fry//Bristol.1866' Printed label: 'SELECTED FOR // NATIONAL COMPETITION'

Applied Art (Na2553.2)

Watercolour of a Cookworthy hard-paste porcelain vase painted with alternate panels of blue camaieu landscape and exotic bird in tree. Mounted on card with label inscribed in ink: 'Porcelain Vases Bristol Manufacture// 13 Inches High 1775//In the possession of Francis Fry.//Bristol.1866' Printed label: 'SELECTED FOR // NATIONAL COMPETITION'

Applied Art (Na2553.3)

Watercolour of a Cookworthy hard-paste porcelain vase, painted in polychrome with three panels of exotic birds in landscape. Mounted on card with label inscribed in ink: 'Porcelain Vases Bristol Manufacture// Inches High 1775//In the possession of Francis Fry//Bristol.1864'. Pencilled on mount: 'The chinese white//has turned dark'

Applied Art (Na2553.4)

Watercolour of a Cookworthy hard-paste porcelain vase, painted in polychrome with Chinese dragon design within green 'shagreen' borders. Mounted on card with label inscribed in ink: 'Porcelain Vases, Bristol Manufacture// Inches High 1775//In the possession of Francis Fry.//Bristol.1866'. Pencilled on mount: 'The chinese white//has turned dark'

Applied Art (Na2553.5)

Watercolour of a Cookworthy hard-paste porcelain vase, painted in polychrome with landscapes: panel 1 in blue camaieu, panel 2 in red/pink camaieu, panel 3 in green, brown, blue. Mounted on card with label inscribed in ink: 'Porcelain Vases. Bristol Manufacture.// 13 Inches High 1775.//In the possession of Francis Fry.//Bristol.1864.'

Applied Art (Na2553.6)

Photograph of a Cookworthy hard-paste porcelain vase, painted with 'shagreen' borders ground and scroll-edged cartouches containing chinoiserie scenes. Mounted on card inscribed in ink: 'Bristol Vase//Francis Fry Esq' [This vase is now in Bristol Museum & Art Gallery (Na1168); the photograph shows it before handles and a cover were added at the Sevres factory.]

Applied Art (NG137)

Salt jar with large opening on side, with rim. Finial on top and hanging handle at back. Back flattened. Glaze: green speckled ground and cream slip-trailed decoration, clear glaze.

Applied Art (NG141)

Small thrown pot. Smoky white slip decoration

Applied Art (NG146)

Press-moulded, oval dish. White and brown trailed slip over brown slip. Honey glaze.

Applied Art (NG189)

Oblong dish. White and brown glaze. Sgraffito decoration

Applied Art (NG190)

Olive green glaze, incised flower decoration in centre and incised vertical lines around the sides.