Applied Art (N8821)

Silk purse with cream and brown silk tape woven to make zig zag design Purse opens up like a book with opening on either side. Cream silk flaps cover opening

Applied Art (N8824)

by Alfred Simbound in brown leather with gilt title

Applied Art (N8828)

page from Ackermann's 'Repository of the Arts', No XXVII, dated March 1811, with three fabric swatches - 'marone printed cambric', 'green figured shot sarsnet, 'regency shot sarsnet'

Applied Art (N8829)

page from Ackermann's 'Repository of the Arts', No XXXIII, dated Sep1811, with three fabric swatches - 'a striped Persian dove-coloured chintz, 'a celestial blue waved gauze', 'a sprigged chintz'

Applied Art (N8830)

Cream grosgrain silk robing with sprigs of embroidered flowers in coloured silks and metal thread Edged with looped silver metallic thread fringe

Applied Art (N8831)

Rectangular piece of brocade, hemmed and trimmed with narrow silk fringe on long sides, selvedges on short sides. Cream silk brocaded with narrow trailing floral stripe in green/pink/red between satin self stripes alternating with a second stripe between plain stripes. Second pattern of alternating red and puce sprigs on three satin stripes between floating self pattern of banded laurel stripes, the whole edged by narrow satin stripes. From same dress as N8832.

Applied Art (N8832)

Fragment of cream silk brocade woven with vertical swags of flowers and leaves Stitch holes visible Same design as N8831

Applied Art (N8835)

Unfinished. Spun silver sauceboat body with shaped rim and wide pouring lip.

Applied Art (N8838)

artificial silk with similar lining. Embroidered with gold thread, purple leathers, copper filaments and silk. Design is based on the lily, symbolising purity and associated with the Virgin Mary

Applied Art (N8839)

Artificial purple silk with gold and copper laid work embroidery. Design based on a cross. The veil would cover the chalice

Applied Art (N8956)

round; bright-cut shield on top

Applied Art (N8958)

round with suspension loop, engraved scroll design; glazed compartment enclosing 3 dice

Applied Art (N8959)

black, red interior; lid painted with scene of Russian couple taking tea in the open air

Applied Art (N9006)

Each in the shape of a spider hanging from a web; hooks for pierced ears.

Applied Art (N9013.1)

Louis XV style

Applied Art (N9013.2)

Louis XV style

Applied Art (N9013.3)

Louis XV style

Applied Art (N9013.4)

Louis XV style

Applied Art (N9014)

Three rigid circular rings of circular section, in white acrylic with sections in coloured acrylic; occasional gold bands and turned gold sections inset: i. light purple and green acrylic, one turned gold inset ii. purple acrylic, two turned gold insets iii. pink acrylic, two turned gold insets, one with circular knobs

Applied Art (N9041)

in two stages, upper stage open with painted tiles; lower section enclosed by doors

Applied Art (N9043)

Applied Art (N9083)

Black silk apron embroidered around bottom edge with floral garland in greens, yellows, blues, pinks and cream edged with black ribbon border Gathered at waist with two cord ties with tassels at ends

Applied Art (N9084)

Red cotton satin skirt lined with cream cotton. Taped waistband. In centre of band, printed in gold is: 'MISS CROPPER // DRESS AND MANTLE MAKER // SOUTHWELL'. Back of waist has three hook and eye fastenings Top back section has cream cotton insertion

Applied Art (N9087)

Unfinished. Twilled wool of tartan pattern weave. Hexagons sewn together by hand into oblong coverlet. Approx. 20 different tartans. Coverlet pattern consists of 14 large hexagons bordered by contrasting line of hexagons, interspersed with groups of 4 hexagons in a block. Unlined and unhemmed

Applied Art (N9088)

red and yellow thread on wood mould, metal thread trimmings; looped hangers with knotted balls at ends. In two pieces.

Applied Art (N9094)

Square handkerchief Middle of white lawn (octofoil) circular , with Carrickmacross scalloped edges Machine made net ground

Applied Art (N9095)

Square handkerchief Central area cream silk with cream embroidered initial V or A in centre Edged with wide, scalloped border of machine-made Limerick lace

Applied Art (N9097)

Honiton bobbin lace applique, gathered and applied to motif of chemical lace (later)

Applied Art (N9098)

Buckinghamshire/ Bedfordshire bobbin lace. Picot edged motifs

Applied Art (N9099)

Pelerine collar. tape lace applied to machine netting with ruffled edge

Applied Art (N9100)

Sepia. Red Lodge, Great Oak Room: chimneypiece. Printed inscription on back: 'THE RED LODGE, BRISTOL. // Stone carved fireplace in Great Oak Room.' Annotated on back in pencil: 'Where we always took dinner at // 10/c in front of big fire, the girls // as waitreses.'

Applied Art (N9101)

Sepia. Red Lodge, Wigwam. Printed inscription on back: 'THE RED LODGE, BRISTOL. // The Wigwam: the Clubroom of the Bristol Savages (North End).'

Applied Art (N9102)

Sepia photograph. Red Lodge, Great Oak Room: chimneypiece Printed inscription on back: '16th-Century Fireplace in the Oak room, The // Red Lodge, Bristol.'

Applied Art (N9104)

Sepia. Red Lodge, Wigwam. Printed inscription on back: 'THE RED LODGE, BRISTOL. // The Wigwam: the Clubroom of the Bristol Savages (South End).'

Applied Art (N9105)

Sepia photograph. Red Lodge, garden front and part of garden. Printed inscription on back: 'The Garden of the Red Lodge, Bristol.'

Applied Art (N9106)

Sepia photograph. Red Lodge, garden front and part of garden; washing on line to left of house, two Reform School girls in garden, others at door.

Applied Art (N9107)

Black/white glossy. Red Lodge, Great Oak Room. Printed inscription on back: 'THE RED LODGE, PARK ROW. // The 16th Century Oak-panelled Rooms and // Staircase of this old Bristol House may be visited // on the First Friday in the // Month, by arrangement with the // Bristol Savages (the Lessees), // between the hours of 2 and // 4 o'clock. // Tickets 1/- each // obtainable only at the counter // of the Museum & Art Gallery.' Annotated on back in ink: 'The room where Auntie// Lily conducted family worship // &c. & where I conducted singing // class, concerts &c &c. I gave // several during the // War to get a little // money for the soldiers.' 'Jack from // Aunt Jennie'.

Applied Art (N9108)

Sepia photograph. Red Lodge, Great Oak Room: chimneypiece and porch. Printed inscription on back: 'The Oak Room - The Red Lodge, Bristol.' Annotated on back in ink: 'The oak room we // always dined in.'

Applied Art (N9109)

Sepia photograph. Red Lodge, Bedroom set out as sitting room with flowers on table, wrought-iron chandelier. Back covered with stuck-on 'WITH CARE' labels and annotated in ink: 'Dear Jack/ This was Auntie // Lily's & my sitting-room // at the Red Lodge. It is the // only one I have left so // excuse it pasted over - // Auntie Jennie'.

Applied Art (N9110)

Grey photograph, glossy. Head-and-shoulders portrait of a lady in an oval 'frame'. Annotated on back in ink: 'Auntie Lily.' She wears her hair pinned up and curled at front, puffed sleeves and a high-necked ?lace chemise.