241 to 280 of 17277
Fine Art (Mb1709), Bristol Cathedral from the Palace Garden
Fine Art (N1801), The Gambler
Fine Art (K1885/22), Two Women tending Animals, One Milking a Goat
a black and white print on laid paper, mounted
Fine Art (M1569), Thomas Connolly Cowan, of Bethesda Chapel, Bristol
a black and white print, with engraved lettering, on paper, showing: a portrait of Thomas Connolly Cowan (1776-1856), the Irish-born dissenting minister of Bethesda Chapel, Great George Street, Bristol, later the Guinea Street Chapel, and also of St Thomas Church
Fine Art (K1605), The Drawbridge, Bristol
Fine Art (K5076), The Priory, Abbots Leigh
Fine Art (M942), A Prospect of King Road and Part of Bristol Channel Taken from Lye Church yard [Abbots Leigh Churchyard]
a black and white drawing, with sepia ink handwriting, on two sheets of joined paper, showing: a view of the distant River Severn, as seen from the churchyard of Holy Trinity Church, Abbots Leigh; with a handwritten legend describing 6 areas or features, including: "The Welsh Land", "Dena" (probably Denny Island), "Kings Road" (King Road), "Bristol Channel", "Possett Point" (near Portishead) and "Lye" (Leigh) Churchyard
Fine Art (M3420), Abbots Leigh Church
a colour drawing on paper, showing: an 1823 view of the original C15th Perpendicular Gothic Holy Trinity Church at Abbots Leigh; the building was restored and partially rebuilt after a fire of 1848
Fine Art (M3429), The Gateway to Abbots Leigh House, where Charles II took refuge after the Battle of Worcester
Fine Art (M3430), Main façade of Abbots Leigh House, where Charles II took refuge after the Battle of Worcester
Fine Art (M3431), Side view of Abbots Leigh House, where Charles II took refuge after the Battle of Worcester
Fine Art (Mb6261), The Priory, Abbots Leigh
Fine Art (Mb7259.26), The Interior of Abbots Leigh Church
loose page 26 from a hardback sketchbook, with red, white and black painted monogram [MT] on cover, containing 24 leaves of different colour paper, and 2 loose leaves.
Fine Art (Mb6805), Man and Beast Wrestling
a framed black and white print on paper, showing: a standing, muscled and naked man wrestling with a four-legged beast
Fine Art (Mb303), Bristol Cathedral: The Monastery of St Augustine
Fine Art (Mb1207), Redcliffe Church and Parade
Fine Art (K437), Visit of Queen Elizabeth I to Bristol, 1574
Fine Art (Mb431), View of St Vincents Rocks, and the Old Hotwell House
a lithograph, bound with two others in a printed paper folio
Fine Art (M876), Mrs Robinson
a black and white print with lettering on paper, showing: Mary Robinson, née Darby, known as 'Perdita' (1757?-1800)
Fine Art (K5479), Battle Scene
a framed colour drawing on paper, showing: a battle between a troop of horse-mounted calvary and infantry foot soldiers
Fine Art (K464), The Ship 'Severn'
Fine Art (K5632), The Gleaner
Fine Art (K392c/09), The Pithay in 1890
Fine Art (K392c/13), The Pithay
Fine Art (M1684), Portrait of Mrs Siddons in the Character of Zara
Fine Art (Mb6249), Ashton Court, From the South-East
Fine Art (Mb6252), Ashton Court
Fine Art (K5869), The Song
a circular-framed colour print on paper, showing: three female figures in a classical interior; one is standing next to a music stand and playing a lute type instrument, the other two are seated and singing from music scores; in the background, a boy stands and sings, while a dog sleeps on the floor
Fine Art (K5870), The Dance
a circular-framed colour print on paper, showing: three female figures dancing in the open air, whilst a boy sitting on a classical pedestal plays a simple flute
Fine Art (Mb1876), Lt General Hay MacDowell
a black and white print on paper, showing: the Scottish military figure, Lt General Hay MacDowell (?-1809), who was General Officer-in-charge of Ceylon (Sri Lanka) from 1799-1804; this is an artist's proof autographed in pencil by Sir Henry Raeburn; for the copper-plate of this work, see Mb1877
Fine Art (Ma3850), Bristol Cathedral, from the South West
a monochrome photograph, contained within a grangerised version of 'Past and Present'
Fine Art (K4486), Edward Hodges Baily, 1788-1867
Fine Art (M983), View from Totterdown looking East
Fine Art (K4171), A View of the Hotwell
a framed hand-coloured print on paper, showing: a view of the Avon Gorge, looking towards Bristol; on the extreme left just below St Vincent's Rocks is a lime kiln, and further along the same bank is the pump room of the Hotwell spa
Fine Art (Mb3585), State Coach
a framed mass-produced colour print on paper, showing: a young Queen Victoria seated in a horse-driven coach
Fine Art (Mb3561), George Daubeny Esq. (1742-1806), Glorious Majority 372
a blue colour print on laid paper, mounted
Fine Art (Mb6352), Norman Arch, College Green [Bristol Cathedral]
241 to 280 of 17277
Message: | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Code: | 500 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
File: | /var/www/html/lib/Session.php | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Line: | 484 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Call Stack: |
Call 0:
|