Angie is a weaver, designer, and colourist, based at BV Studios in Bedminster. She trained in rug weaving in the 1990s and started her textile practice in 2014.

'In the Spring of 2020, like many people, I reshuffled my life and business to fit with the changing shape of living through a pandemic. Planned teaching and usual selling opportunities had slipped away and I had to find a different way to sustain my business, reach my customers, and keep my head in a good place, (as well as the added bonus of being a less than adequate home school teacher to our three children).

It was an interesting and sometimes challenging transition, but one that I was thankful for, especially in light of so many livelihoods that simply didn't have the option of adapting to fit new regulations. And out of this shake-up came the opportunity to action a plan that had been waiting in the wings for the right moment. Enter stage right: The Bristol Blanket.

There’s really no need to point out that this time has been challenging for everyone, in varying degrees, and there’s never been a better time to shine a light on the work of MIND – the mental health charity. They are actively trying to help those who are suffering from new or worsened mental health problems as a result of the pandemic, as well as campaigning relentlessly to improve services, raise awareness and promote understanding.

Charities have been dealt a double blow. Demand for their services has increased significantly and fundraising opportunities have been scaled back for obvious reasons. Whilst I can’t fix the negative impact of COVID-19, I can make a small change to the way I sell my luxury woven textiles, and the decision to donate 10% of the profits from sales of The Bristol Blanket to MIND works for me on a few levels.

I could have done this privately of course, but I’m making the donation part of the story for a few reasons. The main reason is that I think that now, more than ever, we need to keep the conversation about mental health at the top of the list. I’ve no specialist experience in this area, but I do know that things need to change with attitudes and the way many of us handle this part of our lives.

Another reason is that it’s slightly unsettling to have a business that’s doing okay when so many industries and individuals are suffering this year. (Rest assured, I’m thankful). Making this one change means that not only can I see a percentage of my profits go towards helping an organisation that can make a real difference, but it’s also helping my own mental well-being.

The decision to produce the blanket with Bristol Weaving Mill wasn't really a decision at all on my part. As I saw my handwoven designs, inspired by the Bristol houses, develop on my sampling loom and in my sketchbooks, it became obvious who I had to work with on this project. There are more articles on my website about the production journey and the history of the colourful Bristol houses.

I continued to weave a limited number of commissioned rugs and art panels throughout the year and was also able to weave the capsule collection, (pictured below), to support the new blanket design. In the midst of so much uncertainty in the news, the sessions at the loom were refreshingly grounding and I never take for granted that half my job is to focus on the calming rhythmic process of weaving.'

Angie Parker.