Applied Art (G196)

Baking dish. Oblong with rounded sides and lightly curved edges, notched rim. Inside covered with a yellow slip, with narrow brown lines.

Applied Art (N3090)

Framed. 6 tiles painted in manganese with a ploughing scene within a border.

Applied Art (Na1207)

Panel of nine tiles making up picture. Painted in blue, manganese & yellow with seated dog. Inscribed on collar: 'Bristoll 1752'.

Applied Art (N2208)

Britton shape I. Painted in manganese, blue and green on a white glaze. Manganese powder ground; light-brown edge. Octagonal central reserve containing coastal scene: fort with tower flying flag in centre, two sailing ships at sea on left; shore with fence in foreground. On flange, four lozenge reserves containing stylised flowers in green, alternating with four blue carnation reserves. Underrim markings: /// and figure-of-eight sprig.

Applied Art (Q1961.2.)

45 earthenware tiles that have been removed from a tiled wash-basin recess (orginally 54, plus 2 small strips used as an infill above the recess tile). They are painted in blue on a white glaze (Delft) and have vertical vine meanders. The tiles were numbered when dismantled A-G horizontally, 1-7 vertically. Present: A1-7; B1-7; C1-7; D1 [no D2 or D3 - space occupied by recess; D4 & D5 missing], D6, D7; E1-7; F1-7; G1-7.

Applied Art (N7927)

Queen's pattern

Applied Art (N9456)

Dish form. Underglaze-blue-painted with the 'Island' pattern: tree-topped 'island' between two pavilions, two sailboats in foreground; border of aternate panels of interlaced and reversed arcs and stylised plant forms.

Applied Art (N9457)

Dish form. Underglaze-blue-painted with the 'Island' pattern: tree-topped 'island' between two pavilions, two sailboats in foreground; border of aternate panels of interlaced and reversed arcs and stylised plant forms.

Applied Art (N8013)

Dark-green glass. Mallet form, irregular, with high kick-up; single trailed ring below rim. Retains contents, top sealed with cork.

Applied Art (Na2572.1)

Applied Art (N7831)

engraved shamrock and harp

Applied Art (N8630)

octagonal, moulded snake handle, alternate facets moulded or painted with flowers

Applied Art (Na738)

painted flowers, swagged orange & green neck, lustre lip

Applied Art (NX1243)

Of long oval section, the lower part bulbous below short 'neck' with single-step moulding; gadrooned everted rim; two squared-top loop handles; raised on four bun feet.

Applied Art (Na144.a-b)

Pair of embroidered net sleeves with ruffled cuffs, each attached to part bodice. Tamboured net edged with bobbin lace. Two halves of blouse

Applied Art (TA1459)

Coloured silks on wool, blue-stripe selvedge at left, other three edges raw. Cross, satin, chain, buttonhole stitches. Stylised floral meander border. In top third a seven-bay building with clock in roof (?a school), bird perched above clock; on either side a flower vase and cupid firing arrow into heart; in centre a parrot perched within an oval garland between rhymes; in bottom third a large flower basket, a lady with small child and dog, and a lady nursing a child beside an urn; a cupid in each bottom corner. Signed and dated in two rectangles at bottom. Verses (left side): 'Let idle flutterers miserably gay In dress and trifling, waste their useless day That day for nobler exercises given To adorn the soul for happiness and heaven Tho youth and beauty different tasks persuade That youth must languish and that beauty fade Destructive years no graces leave behind But those which virtue fixes in the mind To fairer views let my ambition tend On natures glory and our beings end And seek from beauties formd on virtues rules The applause of angels not the Gaze of fools' (right side): 'The lord is my shepherd my guardian and guide, Whatsoever I want he will kindly provide Ever since I was born it is he that hath crownd The life that he gave me with blessings all round While yet on the breast a poor Infant I hung Ere time had unloosend the strings of my tongue He gave me the help, which I could not then ask Now therefore to thank him shall be my lovd task The lord is become my Salvation and song His blessing shall follow me all my life long: Whatsoever condition he places me in I am sure tis the best it could ever have been.' In (later) black frame.

Applied Art (N8561)

Figures of Bristol accompanied by Commerce and Prosperity, under the protection of Commercial Liberty.

Applied Art (Na2608)

Dark turquoise glass. Conical bowl above triple-annulated collar, stem with central bladed knop, conical foot.

Applied Art (NG191)

Wide neck, grey and brown glaze, geometric decoration of squares. Bottom quarter unglazed.

Applied Art (NG456)

Tall-slab built vase with vertical, pinched ribs on exterior. Flared rim. Semi-matt green glaze

Applied Art (NG511)

Stoneware by Lucie Rie.

Applied Art (N9369)

Barrel-shape with plain loop handle; polished base. Stencilled in red: BRISTOL 1893 EXHIBITION below the city's arms.

Applied Art (N8547)

telescopic, spool stems

Applied Art (N7848.1)

Columnar form on octagonal moulded base with spiral gadrooning; plain concave section with flat, octagonal collar spirally gadrooned below horizontal moulding at base of column; column fluted; moulded top with cast drip pan with spiral gadrooning. Engraved under drip pan: ' P // E E '.

Applied Art (G2802)

Applied Art (N326.i)

copy of an original of 1682

Applied Art (N326.ii)

copy of an original of1682

Applied Art (N380)

Hexagonal early 18th-century form

Applied Art (N5948.1)

turned flattened balls separated by silver bands

Applied Art (N5948.2)

turned flattened balls separated by silver bands

Applied Art (N7848.2)

Columnar form on octagonal moulded base with spiral gadrooning; plain concave section with flat, octagonal collar spirally gadrooned below horizontal moulding at base of column; column fluted; moulded top with cast drip pan with spiral gadrooning. Engraved under drip pan: ' P // E E '.

Applied Art (N8573.2)

Columnar form on square, stepped base, Corinthian capitals. Separate drip-pan with canted corners and concave sides. Beading around bottom and top of base and round drip-pan. Three ribbands of laurel entwined around column; acorns and laurel around top; scrolls above leaves on capital. Base loaded.

Applied Art (G627.1)

Clear glass. Bucket-shaped candle holder on tall stem with centre swelling on domed foot with petalled edge; rough pontil mark. Candle holder and stem diamond-faceted, foot hexagonal-faceted.

Applied Art (G627.2)

Clear glass. Bucket-shaped candle holder on tall stem with centre swelling on domed foot with petalled edge; rough pontil mark. Candle holder and stem diamond-faceted, foot hexagonal-faceted.

Applied Art (N7889)

Dark-green glass. Bulbous centre below flattened knop below a dumbbell shaped sconce, all set on a knop above a flared foot; hollow throughout.

Applied Art (Na1839)

FT10/8. Short dish with straight-sided surround above cylindrical base with push-up. With white candle, in original box.

Applied Art (N8994)

Circular candleholder on a tall slender stem on a spreading circular base. Streaky brown/green/yellow glaze with slight lustre.

Applied Art (N8573.1)

Columnar form on square, stepped base, Corinthian capitals. Separate drip-pan with canted corners and concave sides. Beading around bottom and top of base and round drip-pan. Three ribbands of laurel entwined around column; acorns and laurel around top; scrolls above leaves on capital. Base loaded.

Applied Art (Na643)

Red clay. Tall tapered hollow shaft, horizontally ridged, on spreading foot; swellings at two-thirds of height and below flared top; two strap handles. Green lustre glaze.

Applied Art (Na1878)

Hexagonal section: domed foot with moulded edge, two moulded knops in stem, socket with moulding top and bottom and circular inside.