Applied Art (Na1205.3)

Standing male figure wearing a pale blue-grey coat, yellow breeches, black hat; bare feet. He holds a bunch of grapes over a goblet. He stands on a green and brown grassy/rocky mound on a square base; brown line around base.

Applied Art (Na1205.1)

Standing male figure wearing a blue-green jacket, open-neck shirt, yellow breeches, black hat; his right hand rests on a spade handle, in his left hand he carries a plant in a pot. He stands on a green and brown grassy mound on a square base; brown line around base.

Applied Art (N2216)

Figure of a young woman in tiered crinoline dress with jacket, muff and yellow hat with red feather. Detailing in blue, red and green.

Applied Art (N8252)

A woman in yellow-fringed pink skirt and pale blue jacket leans on a tree stump, her left foot held by a seated man in a pale blue coat, red waistcoat and yellow breeches; her black shoe is on the ground and he is about to place a red show on her foot. On a green and brown irregular ground set on a square base; two yellow lines around base.

Applied Art (N27)

Standing figure, left foot forward, head turned to his right. He wears a pink cloak over a patterned coat, yellow boots and turban. He stands on a small mound with red, blue and green detailing, on a square base; brown line around base.

Applied Art (Na1205.2)

Standing female figure wearing a bonnet and a printed petticoat under a yellow dress which she gathers up over her right arm to hold 2 fish; a fishing creel at her left side. She stands on a brown and green rocky mound on a square base; brown line around base.

Applied Art (Na1205.4)

Standing male figure wearing a blue cloak, red jacket edged with a yellow frill, yellow breeches, black hat with feather, black shoes with blue rosettes. He stands on a green, brown and yellow grassy/rocky mound on a square base; brown line around base.

Applied Art (Na265)

'Liberty & Matrimony' candleholder: a couple seated on the branches of a tree; she wears brown-edged green jacket, pink open robe, white apron, purple petticoat and holds a flower in right hand, a bird in left hand; he wears sponged blue jacket, patterned waistcoat, yellow breeches and holds a birdcage on his knee; a duck and a sheep on base, a bird on tree-top and base of a candleholder (missing but see Na266 for similar).

Applied Art (Na266)

Shepherd & Shepherdess candleholder. Male and female figures seated either side of a leafy tree terminating in a candle holder. He wears a red-lined yellow jacket, blue-spotted waistcoat, pink breeches and a black hat with yellow feather and plays a pipe; she wears a green-lined pale purple open robe over a pale blue petticoat and white apron; she supports her head in her right hand, her left hand once held ?a crook. Rocky base with a goat, a sheep and a dog; a bird in the tree. Candle holder painted with brown husk swags and edge lines.

Applied Art (N8271)

Two seated naked boys, one with black hair the other brown hair, reaching up to a large wolf reclining on a high mound before a bocage-type tree. Wolf painted yellow with brown streaks; mound with applied 'grass' tufts painted green with brown dabbings. Inscribed on front: 'REMUS & ROMULUS'

Applied Art (N8265)

Abraham standing, wearing a red coat over a grey patterned robe, yellow-lined purple cloak, yellow turban; his raised right hand holds a dagger, his left is poised over the head of Isaac who lies on an altar; he wears a purple loincloth; bocage tree behind, sheep in front right corner. High green base moulded with scrolls detailed in red and blue. Impressed inscription on altar: 'GENESIS CHAP 22//ABRAHAM// OFFERI//NG//UP//ISAAC'.

Applied Art (N4986)

copper with brass handle, foot and rim. 'T Bateman'

Applied Art (N2240)

model of gun & limber

Applied Art (NG69)

green celadon glaze with sgraffito decoration of 2 fish

Applied Art (N9268)

Applied Art (N4271)

whitework embroidery with cut outs filled with button hole stitching. Large crown with wide peak

Applied Art (N8632)

Octagonal body and neck, neck tapers in slightly to angular shoulder which tapers sharply out to body which tapers out and then in to base. Shaped rim rising to squared lip; snake handle. Painted in coloured enamels, orange-red, pink, yellow, green, blue, grey, black; on body panels, two different flower sprays, including a 'Fifield' tulip, small sprig below lip; on neck, two smaller flower sprays and forked leaf branch under lip. Brown band below rim, brown detailing on handle.

Applied Art (G2532)

Circular, pierced brass scoop; iron handle

Applied Art (TA3589)

oval with 'hinged' lid.

Applied Art (N1363)

lon, straight-sided form with rounded ends; iron swing handle

Applied Art (N8633)

octagonal, moulded snake handle, brown detailing, flower sprays

Applied Art (N1340)

conical form

Applied Art (N18)

Whieldon type. Circular shallow plate with flat flange, lobed edge. Decorated all-over in a mottled brown pigment under the lead glaze ('tortoiseshell' ware).

Applied Art (N19)

Cylindrical mug, tapering out slightly at base, with entwined double reeded strap handle with leafy terminals. Row of beading below rim and around base; two bands of turned reeding, one behind upper terminals, the other below lower terminals.

Applied Art (N9473)

Cylindrical mug, tapering out slightly at base, with entwined double reeded strap handle with leafy terminals. Row of beading below rim and around base.

Applied Art (N20)

Rectangular base from which rises a five-fingered flower holder; moulded leaf ornament around base and top of each finger. Thin blue line painted around base.

Applied Art (N5)

Beige body, glazed. Jug tapers in from wide base above a pedestal foot and flares to short neck and curving lip, shaped rim; square topped scrolled and leaf-moulded handle. Relief-moulded decoration: foliate scrolls and shells around neck and below lip, still leaf ornament above foot. Male head-and-shoulders on each side, identified on scrolls as 'SIR R.PEEL' and 'R.COBDEN M.P.'

Applied Art (Na525.a-b)

Pair of cuffs

Applied Art (N5521)

Octagonal plate, the flange with relief flower-heads and rope-twist rim. In centre, maroon-purple print of railway in an alpine landscape with trees and house behind, balustrade with flowers in front. Centre of flowers on rim painted in blue, green and maroon-purple.

Applied Art (N8614)

Broad-shouldered, tapering to to base; short wide neck with moulded pouring lip; square-topped handle. Printed in greyish-brown and overpainted in red, orange, green, yellow-green, with pink lustre detailing: painted leaf-and-tendrils on neck. On one side of body two male figures support an arch enclosing various symbols - all-seeing eye, compass, crossed axes and swords, skull-&-crossbones etc and the initials 'F H C'; inscribed on the arch 'GOD IS OUR GUIDE' and below, 'The Loyal Independent // Odd Fellows Arms'. On opposite side: Father Time and Justice support a shield on which are three faces, more symbols - lamb and lion, goblet etc; inscribed above, 'UPON MY HONOR' and below, 'AMICITIA AMORET VERITAS'. . Inscribed below lip: 'SARAH.BUCKLEY // 1819'.

Applied Art (G336)

Broad-shouldered tapering in to base, short wide neck with pouring lip; plain handle. Silver lustre neck and handle; body with red ground reserving two large ovoid panels printed in black and overpainted in coloured enamels: on one side, a woman with rake between two seated men; in background, two figures in a field of wheat stooks, a tree, buildings; on opposite side, a quartered shield with wheat stook and farming implements supported by woman with churn and man with scythe; a plough above and inscription: 'THE FARMERS ARMS // God Speed the // PLOUGH'.

Applied Art (NX1164)

Inverted baluster body on spreading foot; wide short cylindrical neck with forward-reaching moulded lip; plain loop handle. Neck and lip painted with splodged pink/purple lustre, lustre squiggles between prints, line on handle and around foot. Three black transfer prints, overpainted in coloured enamels: on one side ' AN EAST VIEW of the NEW BRIDGE, SUNDIRLAND '; opposite, a trophy comprising Union Jack & French flags, cannon barrels, an [?]eagle, lion and laurel wreath with scrolled cartouche inscribed ' CRIMEA ' and mottos [above] ' MAY THEY EVER BE UNITED ', [below] ' VIVE L'EMPEREUR ', ' GOD SAVE THE QUEEN . '; below lip, oval flower frame with sailing ship at top surrounds legend, ' No 3663, // Presented to Sergt. Wm White // 53rd Regt. by his Brother // Henry on leaving the Regt // January 12th 1864. '

Applied Art (N47)

Shouldered body with short wide neck, pointed pouring lip; pixie-ear handle. Printed in black with the arms of the Weavers' Company with mottoes 'BY OUR INDUSTRY THE NAKED ARE CLOTHED' and 'WEAVE TRUTH WITH TRUST'; on opposite side, a verse: 'Before weaving was invented Nakedness walk'd every where And the Rich was well contented The Skins of hairy Beasts to wear In the Night like dolesome Spirits They walk'd both naked & forlorn Then may we say bless'd be the day A Weaver in the World was born' Silver lustre band with resist stylised foliage on neck, silver lustre detailing on handle and lip.

Applied Art (N8446)

Creamy-white unglazed body, glazed interior. Narrow upright form with wide lip, leaf-moulded loop handle. Relief-moulded with biblical figures of Samuel and Eli: two narrow and two wide Gothic arches: in the two wider, an elderly man seated by a table on which a jug and bowls, a young boy standing by his side; in narrow arch under lip, a standing turbaned male figure.

Applied Art (G318)

Cylindrical mug with moulded bottom edge, below lathe-turning; two elaborate moulded scroll handles. Band of rouletted circles below rim, applied grape/vine-leaf band around centre between handles. Buff base, dipped lustrous dark brown.

Applied Art (N7592)

machine-made

Applied Art (N3026)

conical form inscribed Bath Arms St James' Back Bristol

Applied Art (Na608.b)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border

Applied Art (Na607.b)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border

Applied Art (Na606)

part of dressing table set: octagonal; grey centre, polychrome-painted 'trees' border