Applied Art (Na2529)

Pale green plastic. Spoon with pointed bowl, moulded stem terminating in cloaked figure.

Applied Art (T4020)

Marking sampler. Red and white cotton thread on white cotton, all four edges scalloped and buttonhole-stitched. Satin, stem stitches. Five rows of lettering: 'A-Z (italic script, no J Q X Y) A-Z (gothic script, no J Q X Y) 1-9 0'; across the bottom, monograms 'SLT' 'IGC' in corners, 'RD' crowned in centre between coronets.

Applied Art (Na1152)

Applied Art (N8174)

Oval-section body on oval pedestal foot; two high-loop handles. Cover has flat edge rising to dome in centre; urn finial with foliate top. Reeded rim with three cross ties on each side, above rouletted line and border of gouged diagonal ovals each suspending a four-dot drop; row of beading around foot. Upper terminals of handles of leaf-form, upper part reeded, with two inside and one outside kicks. Rouletted & gouged border around edge of cover; scalloped rouletted line around base of finial. Engraved stag's head armorial on body and cover.

Applied Art (N8370)

Rectangular plaque: central female head in chrysoprase facing right, with gold hair swirling to form the tracery of plaque. Five jade flower heads, the petals set with diamonds. On each side, fourteen graduated strings of pearls (six in top row, twenty in bottom) link plaque to vertical thin gold bars which were fastened to ribbon.

Applied Art (N4815)

Earthenware milk jug. It is baluster shaped at flares at the top into the shaped rim; it has an entwined moulded handle with flower-and-leaf terminals. It is painted in onglaze enamels - red, purple green and black and below the lip is a large flower spray with purple rose, between two 2-flowered sprigs and two single purple sprigs. The handle terminals are detailed in green and purple.

Applied Art (NG272)

Stoneware plate. It is shallow and has a fawn glaze and a dark brown oxide brush decoration of 2 geese. Hammond's characteristically sensitive drawing conveys a remarkable depth of space.

Applied Art (N7204)

Porcelain coffee cup. It is a quatrefoil-lobed cup and has a beaded double-scroll handle with a scroll thumb piece. It is painted in onglaze coloured enamels of blue yellow and red and depicts a large flower spray and eight small sprigs.The border is of puce scrolls below the inside of the rim.

Applied Art (N7082)

Minature glass vessels including 2 candlesticks with opaque-twist stems and blue cups; 5 goblets with blue bowls and clear stems; 3 goblets with clear bowls, twisted stems and blue feet; 2 blue decanters and 1 blue jug.

Applied Art (N6782.A)

Tin-glazed earthenware bowl. It has sides rounded in to a foot ring. It is painted in blue on a pale bluish glaze and yellow rim edge. The exterior depicts a chinoiserie fence and rocks with chrysanthemums and other flowers and a separate secondary flower spray. Inside the bowl are the painted words:' Long live // King George // the 3d. ' within a chevron surround and a narrow chevron border with flower motifs inside the rim.

Applied Art (CP108)

Applied Art (N4953.1)

Porcelain teapot and cover. It is a squared octagonal form with sloping shoulders and shaped to a stand-up rim. It has a curving spout and a squared off handle with a double dip on top. It has a moulded flower and scrolls and bows on the sides. It has a domed cover with a rose knop. It is painted in onglaze coloured enamels and gilding with a rose and bluebell on the front, tulip and bluebell on reverse, auriculas inside the handle, pink flowers around the spout; a single rose, a tulip, a bluebell and poppy on the shoulder and a rose, auriculas, a bluebell and poppy on the cover. It has gilt detailing around the rims and shoulder, a line on the foot and rich gilding on the spout, handle and knop. It has a 14-hole strainer.

Applied Art (Na1957)

Applied Art (N8833)

Pear-shaped spun silver cream jug body with circular rim.

Applied Art (Na2332)

Flat, spade-shaped blade curving up to handle; border of diagonal ovals withing rouletted lines, inner rouletted wavy line; centre stalk with line foliage; beaded edge to handle, oval cartouche surrounded by scrolls at end; handle decoration repeated on underside with acanthus-type motif at join with blade.

Applied Art (N7999.2)

Candlestick with removable branches. Shaped square base with scroll edges, shell in centre of each side, mask-heads representing Seasons at corners; raised platform in centre with circular plinth from which rises knopped shaft; linked circles on bottom knop, faceted centre knop, sloped shoulders below socket with acanthus and mask-heads; octagonal socket with cushion base, raised rosettes, interlaced scrolls, moulded rim. Two-arm branch fits into socket: from scrolled centre, two branches scroll up and round finial curving up to octagonal sockets decorated as centre one, with petal drip-pans, alternate petals matted. The branches sheathed in scrolling leaves and flower. Swirled finial in centre with leaf scrolls, shell, flowers. Engraved crest on base: quartered lozenge in leaf-scroll mantling.

Applied Art (N8044)

Unfinished. Die-stamped teaspoon outline: oval bowl, fluted stem with acanthus terminal supporting circular reserve with relief of golfer and legend: 'KIRKHILL // GOLF CLUB '. Rough edges, unfinished surface.

Applied Art (Na1857)

Bowl shape with wide horizontal rim turning up at edge. ' HOMEMAKER ' pattern. Printed in black with contemporary furniture etc: table lamp, flowerpot stand, pepper mill & bottle opener & corkscrew, armchair, all in irregular reserves on ground of irregular horizontal lines.

Applied Art (N31)

Standing figures of a boy and a girl

Applied Art (Na1894)

Plain-weave fabric; design reversed out in white on a black ground: 'Nautilus': vertical rows of alternating small and large 'atomic'-type motifs with 'stringed' fan shapes; the rows separated by bands of four lines with circular, rectangular and zig-zag motifs.

Applied Art (NX531)

Bristol Orphanage sampler. Red cotton on white cotton, the sides hemmed, top and bottom edges turned under twice and backstitched. Cross, four-sided stitches. Seventeen rows of lettering: 'A-Z' eleven times in different scripts; 'a-z' nine times; '1-9 0' seven times; 'I-X I-XCDM'; 'AF MJ'; line of rosettes with Bible in centre; six rows containing eighteen continous patterns; six rows of patterns each side of signature; across bottom, a row of spandrels; small motifs: flower vases, dogs, bird, crowns. Signed and dated at bottom centre.

Applied Art (N5154)

Leaf-shaped with moulde veins. Blu- transfer-printed: elderley couple walking by river, square castle with arched entrance on left, trees.

Applied Art (G277)

inverted baluster body on foot, slightly flared tall neck; hollow plain handle fed from base of body and forking into a ring around outside of neck from which three animal-headed spouts emerge. Neck pierced with two triple rows of small holes. Transfer-printed in blue: from left to right - three cattle with buildngs in background, a vase overflowing with flowers, four cattle, a couple with a small child, man sits leaning against a tree trunk. Scroll and flower border on neck; spouts and handle blue-spotted.

Applied Art (N2273)

'London' shape with pyramidal finial. Commemorating the death of Princess Charlotte in 1817. Printed in black with same pattern on both sides: an obelisk-topped square monument inscribed within an oval 'TO THE MEMORY//OF//PRINCESS CHARLOTTE'; cherub bearing cross on left, grieving Britannia on right, globe and cornucopia in foreground, twocherubs in sky. Pink lustre bands on rim, above base and outlining spout; leaf-and-dot band around top, leaf bands on spout sides and handle.

Applied Art (N8451)

Tapering out from a round base into a flattened oval, then tapering in to oval rim. Speckled grey wood ash glaze.

Applied Art (Na2104)

White earthenware, clear glaze. Circular plate with slightly sloping rim: cable moulding inside rim edge and relief-moulded alphabet on rim between thick and thin black lines. In centre, black transfer print: a large dog with left front paw on a ?bone, right front paw on back of a smaller dog; two other small dogs .

Applied Art (N4265)

open work embroidery on crown with small lace inserts, plant design. Small whitework frill around cown. tucks and openwork embroidery. Shell button fastening

Applied Art (N6975)

RS service

Applied Art (Na2528), Kate Malone RCA Entry Piece

Single ceramic tile in a ceramic frame. Tile with brown and yellow painted tiger. Extruded clay frame imitating a moulded picture frame with a metalic glaze. Tile held in place on revese with make shift wooden batton.

Applied Art (N8626)

Octagonal body and neck, neck tapers in slightly to angular shoulder which tapers sharply out to body which tapers out and then in to base. Shaped rim rising to lip; snake handle. Painted in coloured enamels, orange-red, pink, yellow, green, blue, grey-brown: on each side of body a large flower spray, one with 'Fifield' tulip and rose, the other with chrysanthemum, a small sprig between; on neck, two similar small flower sprays, forked leaf branch under lip. Brown band below rim, brown detailing on handle.

Applied Art (N6694)

Britton shape I. Painted in blue and red on a pale bluish glaze: in centre, a circle containing stylised large-petalled flowers and cherry blossom; on flange, a narrow border of cherry blossom and insects; broad undecorated area between circle and border.

Applied Art (Na277)

She wears a brown-spotted yellow robe and a blue and yellow necklace and carries a wheatsheaf & a sickle. She stands on a mound with orange, yellow, brown blotches, on a thin square base painted orange.

Applied Art (Na268.1)

Standing figure of a young girl with brown-and-orange-spotted dress and brown headband; her left arm cradles a basket. She stands on a high rocky mound on a green square base with cut corners.

Applied Art (Na268.2)

Standing figure of a young girl with brown--spotted dress and brown hair; her left arm cradles a cornucopia. She stands on a rocky mound on a square base with cut corners.

Applied Art (Na268.3)

Standing figure of a young boy with brown-and-orange-spotted cloak and brown hair; his right arm cradles a wheatsheaf, in his left hand a sickle. He stands on a green high spiralling mound on a square base with cut corners.

Applied Art (Na268.4)

Half-seated figure huddled in a yellow-edged, blue-spotted cloak. He stands on a green high spiralling mound on a green square base with cut corners.

Applied Art (N5246)

Standing cow with horns, tail curled onto back to form handle. Painted in red-brown with spots. On green oval base; area between her two left legs solid and painted green. Cover missing.

Applied Art (N8254)

Standing cow with horns, on oval base; cover missing. Mid-brown all over with some gilt detailing.

Applied Art (G1285)

Group of four seated male figures one wearing a smock, three working clothes; one holds a mug of beer. Mounted on a wooden board.

Applied Art (N5516)

Cylindrical mug with two squared handles. Transfer printed in brown, overpainted in red, green and blue: two and a bit railway carriages on each side, one with passengers, the other loaded with a horse-drawn carriage; a house and mountains in background on each side. Inside border in brown: interlacing vine stems.